La educación y cómo educamos, siempre son temas actuales. De diversas maneras se ha enfatizado que el conocer y memorizar hechos y datos no son causas suficientes para una formación integral de la persona. Friedrich Nietzsche (1844-1900) ya había combatido contra una concepción educativa basada en la erudición coleccionista, objetiva, desprendida de las emociones, y frente a la cual propuso una especie de pedagogía vitalista: los hechos del pasado, del presente, los datos, las descripciones, deben recogerse y tratarse selectivamente teniendo (...) como meta la construcción, la vivificación del individuo, la búsqueda de la unidad y el sentido de aquello que estudiamos. El presente trabajo se orienta a identificar y explicar las concepciones de la educación y de la cultura a las que se enfrentó Nietzsche y cómo se puede caracterizar la pedagógica que él propone para estudiar el pasado. (shrink)

One problem that various thinkers have studied is the relationship between culture and social development. This article will try to explain the principal characteristics of South Korean culture and its Confucian heritage as positive factors in the development of South Korea. To do so, it addresses the existence of values of Confucian origin in government and society. Next, the article reviews historical factors that played an important part in South Korean development. Finally, the authors reach the conclusion that development is (...) possible in distinct cultural contexts, and that it is not possible to establish a deterministic connection between a specific social framework and the conditions of social development. (shrink)

Este artículo detalla la labor realizada dentro del proyecto de innovación docente El Ágora que se desarrolla en la Facultad de Comunicación de la Universidad de Castilla-la Mancha con la colaboración del Ente Publico Radiotelevisión de Castilla-La Mancha. Semanalmente, los estudiantes elaboran un programa de radio de 30 minutos que se emite en la radio pública. Además, generan contenidos audiovisuales para otros canales y plataformas. A lo largo de tres años (2019-), 168 estudiantes han participado en el proyecto. Sus valoraciones (...) son positivas tanto sobre la adquisición de conocimientos como a nivel experiencial. (shrink)

Durante la Edad Moderna y Contemporánea numerosos retos se han abordado, de manera ideal o real, desde una perspectiva cosmopolita. El descubrimiento de América, las guerras entre Estados europeos en el siglo XVIII o la Segunda Guerra Mundial, son ejemplos de ello. En la época actual, la humanidad se enfrenta también a una serie de retos globales de gran magnitud: el mantenimiento de la paz, el respeto y garantía de los derechos humanos, el cambio climático, las migraciones internacionales, el aumento (...) de la desigualdad, las pandemias, el terrorismo, los paraísos fiscales o el colapso de los sistemas financieros. La nueva obra de Juan Carlos Velasco busca precisamente abordar con carácter descriptivo, valorativo y normativo uno de esos retos, las migraciones internacionales, y adopta para ello una mirada cosmopolita. La misma se inserta así dentro del corpus teórico de carácter cosmopolita que, principalmente desde el final de la Guerra Fría, una corriente de pensadores está desarrollando con la voluntad de dar respuestas a los temas de nuestro tiempo... (shrink)

There is vast evidence that accounts for the association between entrepreneurial orientation and the probability of starting a business. However, there are not many studies that test how psychological factors moderate this relationship. A variable that has been little studied in this relationship is Grit. Grit is considered a personality trait defined as perseverance and passion for long-term goals. Grit considers two sub-dimensions, one linked to the consistency of interests and the other linked to perseverance in the effort. The objective (...) of this article is to analyze the moderating role that both sub-dimensions of grit plays in the relationship between EO and PSB, considering its interaction with sociodemographic variables such as age, gender, and culture. This cross-sectional study has a sample of 1,761 participants, active workers. The EO scale and a Grit Scale were applied. In addition, participants were asked, based on their perception, how likely they were to start their own business within the next 5 years. A simple moderation analysis was considered to test the moderating role of grit in the relationship between EO and PSB. Subsequently, a double moderation analysis was carried out in order to identify which sociodemographic variables moderate the moderating effect of grit on the relationship in question. The results show that only the Grit-Passion component of grit moderates the relationship between EO and PSB. Regarding the sociodemographic variables, neither age, culture, nor gender showed a moderating effect on the moderation exercised by Grit-Passion in the relationship between OE and PSB. The results are discussed in terms of psychological capital, particularly with an emphasis on explaining why only the Grit-Passion shows a moderating effect on the relationship between EO and PSB, in detriment of Grit-Perseverance. In addition, the power of grit in the field of entrepreneurship is discussed, considering that its moderating effect is transversal to variations in age, gender and culture, as well as its relevance when considering interventions and pedagogical models in the field of entrepreneurship. (shrink)

Although the correlation between Entrepreneurial Orientation and concrete actions to set up a business or the Probability of Starting a Business has been widely studied, the psychological factors that can affect this relationship have not yet been sufficiently addressed in the field of entrepreneurship. One of them is curiosity. Both at theoretical and empirical level, a distinction are usually made between two types of curiosity. I-type curiosity is associated with the anticipated pleasure of discovering something new, and D-type curiosity is (...) associated with reducing uncertainty and eliminating unwanted states of ignorance. Consequently, this paper aims to analyze the moderating role that the types of curiosity play in the relationship between EO and PSB, considering their interaction with sociodemographic variables. The sample of this cross-sectional study consisted of 1,761 participants. The EO scale and a curiosity scale were applied. In addition, participants were asked, based on their perception, how likely they were to start their own business within the next 5 years. A simple moderation analysis was considered to test the moderating role of both types of curiosity in the relationship between EO and PSB. Next, a double moderation analysis was carried out in order to identify, which sociodemographic variables moderate the moderating effect of curiosity. The results show that only the D-type component moderates the relationship between EO and PSB: The higher the D-type curiosity, the stronger the association between EO and PSB. In terms of sociodemographic variables, neither culture nor gender showed a moderating effect on the moderation exerted by D-type curiosity. While, age did moderate the moderating effect of D-type curiosity on the relationship between EO and PSB. Results are discussed in terms of spirituality and the resolution of problems associated with the entrepreneurial process, considering cognitive and psychological factors, particularly with an emphasis on explaining why only D-type curiosity shows a moderating effect. Finally, the limitations of the study and potential future lines of research are pointed out. (shrink)

Context: The emergency situation caused by coronavirus disease 2019 (COVID-19) has affected different facets of society. Although much of the attention is focused on the health sector, other sectors such as education have also experienced profound transformations and impacts. This sector is usually highly affected by psychosocial risks, and this could be aggravated during the current health emergency. Psychosocial risks may cause health problems, lack of motivation, and a decrease of effectiveness at work, which in turn affect the quality of (...) teaching. Despite their importance, there are hardly any studies that analyze psychosocial risks of non-university teachers during a health emergency such as that caused by COVID-19. Objectives The aim of this study was to analyze the perception of COVID-19 and the psychosocial risks of non-university teachers comparing Spain and Mexico during the state of alarm caused by COVID-19. Methods Data were collected from 421 non-university teachers (80.2% women; 56.3% from Mexico, 43.7% from Spain) aged 24–60 ( M = 39.32, SD = 10.21) via a self-completed questionnaire during the pandemic from March to April 2020. Results Data analysis suggests that inequity is the most important risk, followed by work overload. Teachers appear to be moderately satisfied with the information on COVID-19 and the measures taken, while their satisfaction with the available resources is lower. When comparing the two countries, significant differences can be observed in every risk considered except for social support, with lower levels in Mexican teachers compared to Spanish ones. In the case of the perception of COVID-19 and its impact, the perception in general of levels of information, measures, and resources is better among Mexican teachers than among Spanish ones, who present higher scores of the impact of the health emergency. Conclusion The results underline the importance of the professional’s perception of resources during a health emergency, which could prevent to some extent burnout and possible alterations associated with it. The measures taken by the responsible entities and the provision of information do affect teachers not only directly but also indirectly by making them more vulnerable to psychosocial risks that could affect their health and professional performance, thus affecting students as well. (shrink)

IntroductionRheumatologists are the primary healthcare professionals responsible for patients with rheumatic diseases and should acquire medical ethical competencies, such as the informed consent process (ICP). The objective clinical structured examination is a valuable tool for assessing clinical competencies. We report the performance of 90 rheumatologist trainees participating in a station designed to evaluate the ICP during the 2018 and 2019 national accreditations.MethodsThe station was validated and represented a medical encounter in which the rheumatologist informed a patient with systemic lupus erythematosus (...) with clinically active nephritis about renal biopsy. A trained patient–actor and an evaluator were instructed to assess ICP skills (with a focus on kidney biopsy benefits, how the biopsy is done and potential complications) in obtaining formal informed consent, delivering bad news and overall communication with patients. The evaluator used a tailored checklist and form.ResultsCandidate performance varied with ICP content and was superior for potential benefit information (achieved by 98.9% of the candidates) but significantly reduced for potential complications (37.8%) and biopsy description (42.2%). Only 17.8% of the candidates mentioned the legal perspective of ICP. Death (as a potential complication) was omitted by the majority of the candidates (93.3%); after the patient–actor challenged candidates, only 57.1% of them gave a clear and positive answer. Evaluators frequently rated candidate communications skills as superior (≥80%), but ≥1 negative aspect was identified in 69% of the candidates.ConclusionsEthical competencies are mandatory for professional rheumatologists. It seems necessary to include an ethics competency framework in the curriculum throughout the rheumatology residency. (shrink)

Recordar y conmemorar a José Luis Serrano nos exige hacer balance de su dimensión de profesor, escritor, investigador y político, aspectos de su persona que no siempre son fáciles de delimitar, pues desde sus inicios académicos, el conocimiento científico, la política y la cultura se encuentran estrechamente ligados. Creo que entenderemos mejor al hombre y académico-docente si utilizamos sus propias palabras, contenidas en su autobiografía. Él mismo reconocía que toda biografía, o autobiografía, es un género literario, y que el (...) mismo acto de escribir es una forma de hacer autobiografía cifrada…. (shrink)

En los primeros años del siglo XIV se planteó la polémica entre los franciscanos “espirituales” y el papa Juan XXII. El emperador alemán Luis de Baviera intervino en la confrontación a favor de los franciscanos y en contra del Papa. En la novela El nombre de la Rosa de Umberto Eco, se escenifica el conflicto entre el Franciscano Guillermo, que representa a Guillermo de Ockham y el inquisidor dominico Bernardo de Guí. En sus páginas se cita la filosofía de (...) Aristóteles, Tomás de Aquino Buenaventura de Bagnoregio, Marsilio de Padua y el propio Guillermo de Ockham. La filosofía política y el conocimiento científico de la época: Alberto Magno y Roger Bacon entre otros completan el panorama del citado siglo XIV. Todo ello demuestra una labor educativa incuestionable del libro de Umberto Eco. (shrink)

"Traditionnellement, la philosophie a pensé la connaissance de soi sur le mode problématique d'un sujet faisant de lui-même son propre objet de connaissance. Constatant l'impasse où mène cette approche contemplative de la connaissance de soi, Richard Moran propose de la repenser à partir de la responsabilité de la personne vis-à-vis de ses propres attitudes et de l'autorité de l'agent sur ses propres actions. En abordant la connaissance de soi sous l'angle d'une psychologie morale, Autorité et aliénation la renouvelle en profondeur (...) en mettant en évidence non seulement l'autorité de la première personne, mais aussi ses défaillances et ses limites. Faisant dialoguer la philosophie analytique et la philosophie continentale, de Wittgenstein à Sartre, Richard Moran montre que l'aliénation, comprise comme une forme d'étrangeté à soi (à ce qui, de nous, nous échappe), délimite, autant que l'autorité, les contours de la connaissance de soi."--Page 4 de la couverture. (shrink)

Résumé Dans cet article, j’explore l’idéalisme d’Érigène selon ses propres termes et conditions, en tentant de saisir la nature spécifique de son application théologique, métaphysique et épistémologique de la relation entre être et non-être. Je suggère que les idéalistes allemands ont raison de considérer Érigène comme l’un des leurs pour sa reconnaissance de l’univers comme un processus d’articulation de soi et de compréhension de soi de l’esprit divin. L’explication d’Érigène de la nature de toutes les existences comme essentiellement immatérielles, son (...) classement ontologique du monde apparemment physique, matériel et sensible sous le niveau de l’esprit et dans un sens spécifique, dépendant de l’esprit, et sa compréhension de toutes choses comme contenues dans l’esprit divin (et par extension dans l’esprit humain comme imago dei ) doivent être considérés non seulement comme constituant un système philosophique original à part entière, mais aussi comme un idéalisme dynamique et intellectualiste. La nature infinie d’Érigène implique l’interaction dialectique du caché et de la manifestation, du néant et de l’être, de l’esprit inconnu de lui-même qui en vient à la connaissance de soi dans un savoir et un non-savoir infinis. (shrink)

El 10 de octubre de 2016 se celebró, en la Facultad de Filosofía de la Universidad Complutense, un encuentro titulado Ramón enseñó en público su Arte - Raimundus Artem suam publice legit. Coloquio 700 aniversario de Ramon Llull, auspiciado por el Departamento de Filosofía y Sociedad, y organizado por José Luis Villacañas y José Higuera Rubio. En el marco de esa jornada, José Luis Villacañas sugirió la posibilidad de publicar los resultados de este encuentro en una entrega (...) especial de la revista ASHF, y encargó a los editores del monográfico un estudio bibliográfico de la obra de Llull y de la historia del lulismo. Debido al gran número de compromisos asumidos durante el aniversario luliano algunos de los participantes de aquella reunión postergaron su contribución. Por lo tanto, ofrecemos en este número especial los resultados del coloquio, enriquecidos con otras aportaciones que surgieron en el contexto del aniversario luliano celebrado en Santa fe de Bogotá durante la exposición bibliográfica que la Biblioteca Nacional de Colombia dedicó a la figura de Llull y a las ediciones que conserva de su obra recogidas por las bibliotecas coloniales neogranadinas. La convergencia de estos trabajos y de sus autores ha tomado algún tiempo, percance agravado por las contingencias ocurridas el año anterior. Sin embargo, esperamos que este volumen permita al lector aproximarse tanto a la obra luliana como a su variada y prolongada recepción. (shrink)

Partant de l'idée énoncée par le philosophe Charles Taylor, selon laquelle les êtres humains sont « des animaux capables d'auto-interprétation », cet article vise à comprendre le rôle constitutif de l'auto-interprétation dans la connaissance de soi. Une conception satisfaisante de l'auto-interprétation devrait à la fois rendre compte de l'autorité de la connaissance de soi en première personne et satisfaire les exigences du réalisme ordinaire. Si la version constitutiviste de l'auto-interprétation semble incompatible avec de telles exigences, c'est parce qu'elle considère ce (...) pouvoir constituant comme le privilège du sujet de modeler ses états mentaux au gré de sa volonté. Pour autant, il est possible de conserver un rôle constitutif à l'auto-interprétation en évitant toute implication volontariste et en maintenant une certaine indépendance des contenus mentaux du sujet envers lui-même. C'est ce que proposent les philosophes américains Richard Moran et David Finkelstein, le premier, en redéfinissant l'activité d'auto-interprétation en termes de croyance impliquant l'adhésion du sujet à ses attitudes mentales. Considérant le sujet en tant qu'agent responsable de ses attitudes, Moran défend une conception cognitive et engagée de l'interprétation, un point de vue pratique du sujet sur lui-même. La délibération fournit ainsi les raisons d'adopter une croyance, un désir, une émotion,... raisons qui justifient en même temps l'auto-interprétation. Moins attaché à la valeur cognitive de l'auto-interprétation, Finkelstein développe également une conception pratique de la connaissance de soi, fondée sur la fonction expressive des auto-attributions et où l'auto-interprétation a valeur de contexte de cela même qu'elle interprète. (shrink)

In the last two decades there has been extensive study of the origins of Aljamiado writing in the Mudejar period and its later development in the Morisco era. Scholars have prepared many editions of Aljamiado manuscripts and proposed new interpretations of their content and meaning. This article contains an up-to-date bibliography of all the studies of Aljamiado manuscripts that have appeared in the last ten years and/or are not cited in A. Vespertino Rodríguez, «Una aproximación a la datación de los (...) manuscritos aljamiado-moriscos», Homenaje al profesor Luis Rubio, 2, 1419-39. (shrink)

En el siguiente trabajo analizaremos el estatuto de la cosa en dos trabajos fundamentales de la Kehre heideggeriana: Der Ursprung des Kunstwerkes (1935-1936), Das Ding (1951) y Die Frage nach der Technik (1953).A partir de interpretar sus caracterizaciones ontológicas de las cosas, los entes intramundanos en las relaciones respectivas del Dasein, buscaremos cotejar las bases comprensivas desde las que articula estas elaboraciones. Con ello nos proponemos demostrar de qué modo dichas bases se articulan en un concepto de alteridad, una modalidad (...) de relación corporal y habitar del Dasein, respecto de las respectivas elaboraciones en la analítica de Sein und Zeit. (shrink)

El artículo propone una serie de mecanismos sociales que operan en acontecimientos políticos en las redes sociales de Internet. Dichos mecanismos son: el contagio social, las cascadas de información y la información desregulada. Con estos elementos y valiéndose de un buen número de hechos contemporáneos que le han dando interés al fenómeno político de las redes sociales, se analiza el impacto de las mismas bajo parámetros claros que sirvan para dar explicaciones desde las ciencias sociales.

Este trabajo explora el potencial de las fuentes artísticas y de los museos que las albergan para desarrollar competencias propias del pensamiento histórico entre estudiantes de Educación Secundaria. Se revisa de qué modo y hasta qué punto la normativa curricular española atiende al trabajo con estos dos elementos para enseñar a pensar históricamente, y se presentan argumentos, derivados de la Didáctica de las Ciencias Sociales y otros campos afines, sobre los beneficios de incluir prácticamente las colecciones artísticas en la educación (...) histórica. Para ejemplificar una posible vía de trabajo con metaconceptos como el de cambio y continuidad, se diseña una propuesta didáctica contextualizada en el Museo Pablo Gargallo (Zaragoza, España) que tiene por objetivo analizar críticamente cómo el arte ha reflejado, construido o desafiado determinados cánones de belleza a lo largo de la historia. (shrink)

The goal of this article is to discuss several critical positions published recently in academic journals on the book The order of ‘Capital’, which aim is to lay the foundations for a republican reading of Marx’s major work. The core of the argument focuses against any attempt to derive normative proposals from scientific discoveries. From here, clarifying some key concepts and positions of the republican tradition is a necessary condition in order to show the close solidarity between Marx and Kant (...) about the formal and institutional conditions of any possible theory of justice. (shrink)

El objeto del presente trabajo es examinar las relaciones entre la guerra, la política y la moral, desde la Ilustración europea a nuestra Posmodernidad global. Para ello, seleccionamos dos muestras representativas: una defensa política de la guerra, el realismo político, y una defensa moral de la paz, el antibelicismo popular. Analizamos ambos, subrayando sus principales argumentos y mostrando sus consecuencias históricas. Finalmente, abordamos las nuevas guerras de la segunda mitad del siglo XX y el comienzo de este Milenio.

This guide accompanies the following article: Matthew Kieran, ‘Art, Morality and Ethics: On the (Im)moral Character of Art Works and Inter‐Relations to Artistic Value’. Philosophy Compass 1/2 (2006): pp. 129–143, doi: 10.1111/j.1747‐9991.2006.00019.x Author’s Introduction Up until fairly recently it was philosophical orthodoxy – at least within analytic aesthetics broadly construed – to hold that the appreciation and evaluation of works as art and moral considerations pertaining to them are conceptually distinct. However, following on from the idea that artistic value is (...) broader than aesthetic value, the last 15 years has seen an explosion of interest in exploring possible inter‐relations between the appreciative and ethical character of works as art. Consideration of these issues has a distinguished philosophical history but as the Compass survey article suggests (‘Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter‐Relations to Artistic Value.’Philosophy Compass 1.2 (2006): 129–43), it is only very recently that figures in the field have returned to it to develop more precisely what they take the relationships to be and why. Consensus is, unsurprisingly, lacking. The reinvigoration of the issues has led sophisticated formalists or autonomists to mount a more considered defence of the idea that aesthetic and literary values are indeed conceptually distinct from the justification or otherwise of the moral perspective or views endorsed in a work (Topic I). The challenges presented by such a defence are many but amongst them are appeals to critical practice (Lamarque and Olsen), scepticism about whether or not art really can give us bona fide knowledge (Stolnitz) and the recognition that truth often seems to be far removed from what it is we value in our appreciation of works (Lamarque). One way to motivate consideration of the relevance of a work’s moral character to its artistic value concerns the phenomena of imaginative resistance. At least sometimes it would seem that, as Hume originally suggested, we either cannot or will not enter imaginatively into the perspective solicited by a work due to its morally problematic character (Topic II). In some cases, it would seem that as a matter of psychological fact, we cannot do so since it is impossible for us to imagine how it could be that a certain attitude or action is morally permissible or good (Walton). The question then is whether or not this is a function of morality in particular or constraints on imaginative possibility more generally and what else is involved. At other times, the phenomena seem to be driven by a moral reluctance to allow ourselves to enter into the dramatic perspective involved (Moran) or evaluation of the attitude expressed (Stokes). Nonetheless, it is far from obvious that this is so of all the attitudes or responses we judge to be morally problematic. After all, it looks like we can and indeed often do suspend or background particular cognitive and moral commitments in engaging with all sorts of works (Nichols and Weinberg). If the moral character of a work interacts with how we appreciate and evaluate them, then the pressing question is this: is there any systematic account of the relationship available to us? One way is to consider the relationship between our emotional responses to works and their moral character (Topic III). After all, art works often solicit various emotional responses from us to follow the work and make use of moral concepts in so doing (Carroll). Indeed, whether or not a work merits the sought for emotional responses often seems to be internally related to ethical considerations (Gaut). Yet, it is not obvious that we should apply our moral concepts or respond emotionally in our imaginative engagement with works as art as we should in real life (Kieran, Jacobson). A different route is via the thought that art can convey knowledge (Topic IV). There might be particular kinds of moral knowledge art distinctively suited to conveying (Nussbaum) or it may just be that art does so particularly effectively (Carroll, Gaut, Kieran). Either way where this can be tied to the artistic means and appreciation of a work it would seem that to cultivate moral understanding contributes to the value of a work and to betray misunderstanding is a defect. Without denying the relevance of the moral character of a work some authors have wanted to claim that sometimes the immoral aspect of a work can contribute to rather than lessen its artistic value (Topic V). One route is to claim that there is no systematic theoretical account of the relationship available and what the right thing to say is depends on the particular case involved (Jacobson). Another involves the claim that this is so when the defect connects up in an appropriate way to one of the values of art. Thus, it has been claimed, only where a work reveals something which adds to intelligibility, knowledge or understanding in virtue of its morally problematic aspect can this be so (Kieran). The latter position looks like it could in principle be held whilst nonetheless maintaining that the typical or standard relationship is as the moralists would have it. Yet perhaps allowing valence change for such reasons is less a mark of principled explanation and more a function of downright inconsistency or incoherence (Harold). The topics themselves and suggested readings given below follow the structure articulated above as further amplified in the Compass survey article. The design and structure given below can be easily compressed or expanded further. Author Recommends 1 Carroll, Noël. ‘Art, Narrative and Moral Understanding.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 126–60. 2 This article develops the idea that engaging with narrative art calls on moral concepts and emotions and can thereby clarify our moral understanding. 2 Carroll, Noël. Beyond Aesthetics: Philosophical Essays. Cambridge: Cambridge UP, 2009. 4 Part IV consists of six distinct essays on questions concerning the inter‐relations between art and morality including the essay cited above and the author’s articulation and defence of moderate moralism. 3 Gaut, Berys. ‘The Ethical Criticism of Art.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 182–203. 4 Gaut, Berys. Art, Emotion and Ethics. Oxford: Oxford UP, 2007. 7 This monograph provides the most exhaustive treatment of the issues and defends the claim that, where relevant, whenever a work is morally flawed it is of lesser value as art and wherever it is morally virtuous the work’s value as art is enhanced. Chapters 7 and 8 defend concern ethical knowledge and chapter 10 is a development of the article cited above concerning emotional responses. Chapter 3 also gives a useful conceptual map of the issues and options in the debate. 5 Jacobson, Daniel. ‘In Praise of Immoral Art.’Philosophical Topics 25 (1997): 155–99. 9 A wide ranging and extended treatment of relevant issues which objects to generalising moral treatments of our responses to art works and defends the idea that particular works can be better because of rather than despite their moral defects. 6 Kieran, Matthew. ‘Forbidden Knowledge: The Challenge of Cognitive Immoralism.’Art and Morality. Ed. Sebastian Gardner and José Luis Bermúdez. London: Routledge, 2003. 56–73. 11 A general argument for immoralism is elaborated by outlining when, where and why a work’s morally problematic character can contribute to its artistic value for principled reasons (through enhancing moral understanding). 7 Kieran, Matthew. Revealing Art. London: Routledge, 2005. Chapter 4. 13 This chapter argues against both aestheticism and straightforward moralism about art, elaborating a defence of immoralism in relation to visual art whilst ranging over issues from pornographic art to the nature and demands of different genres in art. 8 Lamarque, Peter. ‘Cognitive Values in the Arts: Marking the Boundaries.’ Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006, 127–39. 15 This article concisely outlines and defends a sophisticated aestheticism that denies the importance of truth to artistic value. 9 Stolnitz, Jerome. ‘On the Cognitive Triviality of Art.’British Journal of Aesthetics 32.3 (1992): 191–200. 17 This article articulates and defends the claim that no knowledge of any interesting or significant kind can be afforded by works appreciated and evaluated as art. 10 Walton, Kendall. ‘Morals in Fiction and Fictional Morality, I.’Proceedings of the Aristotelian Society, Suppl. 68 (1994): 27–51. 19 This article builds on some comments from Hume to develop the idea that when engaging with fictions it seems impossible imaginatively to enter into radically deviant moral attitudes. Online Materials ‘Aesthetics and Ethics: The State of the Art.’American Society of Aesthetics online (Jeffrey Dean):. ‘Art, Censorship and Morality’ downloadable podcast of Nigel Warburton interviewing Matthew Kieran at Tate Britain (BBC/ou Open2.net as part of the Ethics Bites series):. ‘Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter‐Relations to Artistic Value.’Philosophy Compass 1.2 (2006): 129–43 (Matthew Kieran):. ‘Ethical Criticism of Art.’Internet Encyclopedia of Philosophy (Ella Peek):. ‘Fascinating Fascism.’New York Review of Books Piece Discussing Leni Riefenstahl (Susan Sontag):. ‘The Beheading of St. John the Baptist (1450s), Giovanni de Paolo’ (Tom Lubbock):. Vladimir Nabokov and Lionel Trilling discuss Lolita (CBS):. Sample Syllabus Topic I Autonomism/aestheticism • Anderson, James C. and Jeffrey T. Dean. ‘Moderate Autonomism.’British Journal of Aesthetics 38.2 (1998): 150–66. • Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism. New York: Harcourt, Brace and World, 1958. Chapter 12. • Kant, Immanuel. The Critique of Judgement.Trans. James Creed Meredith. Oxford: Oxford UP, 1952 [1790]. • Lamarque, Peter. ‘Cognitive Values in the Arts: Marking the Boundaries.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006, 127–39. • ——. ‘Tragedy and Moral Value.’Australasian Journal of Philosophy 73.2 (1995): 239–49. • Lamarque, Peter and Stein Olsen. Truth, Fiction and Literature. Oxford: Clarendon Press, 1994. Chapter 10. • Stolnitz, Jerome. ‘On the Cognitive Triviality of Art.’British Journal of Aesthetics 32.3 (1992): 191–200. Topic II Imaginative Capacities, Intelligibility and Resistance • Moran, Richard. ‘The Expression of Feeling in Imagination.’Philosophical Review 103.1 (1994): 75–106. • Nichols, Shaun. ‘Just the Imagination: Why Imagining Doesn’t Behave Like Believing’. Mind & Language 21.4 (2006): 459–74. • Stokes, Dustin. ‘The Evaluative Character of Imaginative Resistance’. British Journal of Aesthetics 46.4 (2006): 387–405. • Tanner, Michael. ‘Morals in Fiction and Fictional Morality, II’. Proceedings of the Aristotelian Society, Suppl. Vol. 68 (1994): 51–66. • Walton, Kendall (1994). ‘Morals in Fiction and Fictional Morality, I’. Proceedings of the Aristotelian Society, Suppl. Vol. 68 (1994): 27–51. • Weinberg, Jonathan. ‘Configuring the Cognitive Imagination.’New Waves in Aesthetics. Eds. K. Stock and K. Thomson‐Jones. London: Palgrave Macmillan, 2008. 203–23. Topic III Moralism and Emotions • Carroll, Noël. ‘Moderate Moralism.’British Journal of Aesthetics 36.3 (1996): 223–37. • Carroll, Noël. ‘Art, Narrative and Moral Understanding.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998.126–60. • Gaut, Berys. Art, Emotion and Ethics. Oxford: Oxford UP, 2007. Chapter 10. • ——. ‘The Ethical Criticism of Art.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 182–203. • Hume, David. ‘Of the Standard of Taste.’Selected Essays. Oxford: Oxford UP, 1993 [1757]. 133–53. • Kieran, Matthew. ‘Emotions, Art and Immorality.’Oxford Handbook to the Philosophy of Emotions. Ed. Peter Goldie. Oxford: Oxford UP, 2009. 681–703. • Tolstoy, Leo. What is Art?. London: Penguin, 2004. Chapters 5 and 15. Topic IV Moralism and Knowledge • Aristotle. Poetics. Trans. M. Heath. London: Penguin, 1996 [367–322 BC]. • Carroll, Noël. ‘The Wheel of Virtue: Art, Literature and Moral Knowledge.’Journal of Aesthetics and Art Criticism 60.1 (2002): 3–26. • Gaut, Berys. Art, Emotion and Ethics. Oxford: Oxford UP, 2007. Chapters 7 and 8. • Gaut, Berys. ‘Art and Cognition.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006. 115–26. • Kieran, Matthew. ‘Art, Imagination and the Cultivation of Morals.’Journal of Aesthetics and Art Criticism 54.4 (1996): 337–51. • Nussbaum, Martha. ‘Finely Aware and Richly Responsible: Literature and the Moral Imagination.’Love’s Knowledge. New York: Oxford UP, 1990. 148–68. • Plato. The Republic. Trans. D. Lee. Harmondsworth: Penguin, 1974. Book 10. Topic V Immoralist Contextualism • Harold, James. ‘Immoralism and the Valence Constraint.’British Journal of Aesthetics 48.1 (2008): 45–64. • Jacobson, Daniel. ‘In Praise of Immoral Art.’Philosophical Topics 25 (1997): 155–99. • ——. ‘Ethical Criticism and the Vices of Moderation.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006. 342–55. • John, Eileen. ‘Artistic Value and Moral Opportunism.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006. 331–41. • Kieran, Matthew. ‘Forbidden Knowledge:The Challenge of Cognitive Immoralism.’Art and Morality. Ed. Sebastian Gardner and José Luis Bermúdez. London: Routledge, 2003. 56–73. • Kieran, Matthew. Revealing Art. London: Routledge, 2005. Chapter 4. • Patridge, Stephanie. ‘Moral Vices as Artistic Virtues: Eugene Onegin and Alice.’Philosophia 36.2 (2008): 181–93. Focus Questions 1 What is the strongest argument for the claim that the moral character of a work is not relevant to its artistic value? Does artistic or literary criticism tend to concern itself with the truth or morality of works? If so, in what ways? If not, why do you think this is? 2 What different explanations might there be for difficulty with or resistance to imaginatively entering into attitudes you take to be immoral? How might this relate to the way our imaginings work as contrasted with belief? How might different literary or artistic treatments of the same subject matter make a difference? 3 How do narrative works draw on our moral concepts and responses? Can we suspend our normal moral commitments or application of moral concepts in responding emotionally to art works? Should we respond emotionally to art works as we ought to respond to real world events we witness? Why? Why not? 4 How, if at all, do art works convey moral understanding? How, if at all, is this related to the kinds of moral knowledge art works can teach or reveal to us? When, where and why might this be tied to the artistic value of a work? How can we tell where a work enhances our moral understanding as opposed to misleading or distorting it? 5 What art works do you value overall as art which commend or endorse moral values and attitudes that you do not? Is appreciation of them always marred or lessened by the morally dubious aspect? If not, what explains the differences in evaluation? What, if anything, might you learn by engaging with works which endorse moral attitudes or apply moral concepts different from those you take to be justified? How, if at all, might this connect up with what makes them valuable as art? (shrink)

RESUMO: As condições de trabalho dos professores de Educação Física da educação básica têm impactado negativamente essa classe de trabalhadores, com fortes repercussões na vida cotidiana e na saúde. O presente estudo teve como objetivo investigar as percepções dos (as) professores (as) de Educação Física da rede básica sobre a saúde biopsicossocial e a relação com as condições de trabalho. Caracterizou-se como uma pesquisa descritiva, de corte transversal e abordagem qualitativa dos dados, com foco na análise de categorias. A amostra (...) foi constituída por 10 (dez) professores (as), sendo 7 (sete) do sexo feminino e 3 (três) do sexo masculino de uma cidade do norte de Minas Gerais. Logo, tal dado pode ser entendido como um problema na qual esses(as) profissionais estão inseridos, tendo em vista que o sistema que reforça o cuidado é o mesmo que agride e pressiona esta categoria. (shrink)